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I have expanded to reading comics; But unless you’re British and of a certain age, they’re almost certainly not the same
Crimes Against Transhumanity Charlies Diary Antipope
I am English, 50 years old. The weekly children’s cartoon market is dominated by D.C. Thompson & Co., is strictly gender-segregated, and on the men’s side of the counter there are several short bars that carry two-faced derring-do. Not so much about superheroes: comics such as Beano and Hotspur. For the military-minded, there are Commando comics. And, like a bolt from the blue, 2000 AD arrived in 1977, when I was twelve and just about growing up in all of these comics; That may have stuck with me for a special year, and I have fond memories of the story at the beginning of Judge Dredd. But then I discovered D&D and that was it.
Charlie’s Diary: Writing Archives
Growing up: That would be the Marvel Comics/DC Comics duopoly. These are expensive foreign imports, printed in color on paper that won’t bleed or tear if you touch it with a thin finger, and comics are usually single-character series (or sets), one issue per issue. I stumbled across them by accident, at the age of ten or eleven, while parking The car is at the school holiday center for a couple of weeks – someone donated a shoe box. Full of Spiderman and The Incredible Hulk—but no social status and no money to buy it. Locally, they constantly looked at my perception of the world of cartoons without much effect. All I remember are bright colors, vivid images, and a lot of weird and complicated alien language that didn’t make sense to a kid growing up in 1970s Yorkshire before the era of cheap transatlantic travel.
So I stopped reading comics when I was 14 years old, and that story took a break. I knew there was architecture in comics, and I read a few graphic novels in the 80s when there were short stories for assignment to SF authors like Ian MacDonald to write scripts, and of course I followed the world’s most important cartoon. , but I’m not really
Until late 1990, when I was visiting some SF fans in London, one of them put a weird cartoon in my hand and said “I think you’ll like this”. They are correct: yes
Can make me interested in stories in the Accelerando era again, it must be the first issue of Transmetropolitan.
I’m Charlie Stross, Author Of
In the following years, I began to read widely. I discovered The Sandman well after the fact, through the medium of collecting graphic novels. Of course, I’ve read the manga, and I’ve broken my head on the work of Grant Morrison (not so much The Invisibles, trippy as they are, or The Filth – a comic that finally made me buy it for a month ).
The creative thing that happened in the comics that won the Hugo Award for Best Graphic Story this year reminds me that there is nothing quite like the retro-Hugo Award for Best Novel of 1954 (just go and
On the shortlist: About half of the best SF novels of the entire decade were published that year. Sure there are sad puppies on the list, but everything else is beautifully drawn, innovative, wickedly funny, and mature in perspective. When the Graphic Story Hugo was introduced, some skeptics pooh-poohed the idea that comics as a medium might be a suitable vehicle for telling SF/F stories for intelligent adults: I think the track record so far has proven that comics are anything but.
“children’s things”, and there are some devices that are very lively, creative, and experimental. And the selected list Hugo is far from challenging graphic work, interesting only there. In fact, even though I like all of them (and there are many others that I’ve read at the time), there are many other things that deserve to be on Hugo’s list, especially from the world of comics on our website (not available.
Dude, You Broke The Future!
What follows is a list of some of the webcomics I’ve read this year that I appreciate your interest in. This is not a nomination, and I’m sorry if anyone gets it wrong: If you vote in an open SF/F award, what you nominate and vote for should be your choice, not someone else’s. However, I think these may not be as visible as the ones distributed in many stores, so I thought I’d share them with you.
I don’t apologize for being a fan of Randall Munroe. From a sketch to a sharp, insightful and slightly skewed geek’s view of the universe, Laos is the man of my country. (if anything, lack of art in, er,
, focus on content: there’s no eye candy to boggle here, so the important text must be on target if the thread is going to work at all.)
At the other end of the spectrum from XKCD is Kill Six Billion Demons by, um, someone dementedly talented at both the level of drawing and ideas that they no longer think in human language.
Doctor Wankenstein Goes To Japan
As the ABOUT page says, “This is a webcomic! It’s a graphic novel and can be considered fantasy, sci-fi, horror, romance, or anything else.” It also comes with all the pantheon of gods mythological strangely barkingly, วิวิวม, and สุชิยับ hapless female protagonist originally called Alison was precipitated by the competition of sex that was unlucky (unfortunate that it was interrupted by the rape of her boyfriend by demons).
There’s more violence, more angels, and the occasional biblical outbreak where Alison deals with having a small monster come out of her skull and is chased by the entire population of several hells – many of which are run by organized crime – when they learn. The most important miracle is probably embedded in her forehead.
If Kill Six Billion Demons has an unfortunate female protagonist, the same cannot be said of a strong female protagonist, by Brennan Lee Mulligan and Molly Ostertag:
It’s a superhero comedy about a middle-class American college student with superpowers, restlessness, and a sense of social injustice that is lacking. Alison (
The Annihilation Score (a Laundry Files Novel): Stross, Charles: 9780425281185: Amazon.com: Books
Alison (aka Alison of “Kill Six Billion Demons”!) was one of the first wave of people who came to the superpowers in her youth, Alison joined the superhero team – but the belief in her youth in the ability to solve the world. The diseases disappeared while the team failed, and now she is in college, trying to get a piece of normal life again. However, history has a habit of not leaving her alone…
Telling Rita is a very different style and approach to graphic storytelling (not to mention having a character named Rita, not Alison), by Egypt Urnash. More post-singularity, more uploads, wow: When her ex drags her out of reality, the fastest woman ever created must cut herself together across four timelines! And they run in parallel through the entire comic, which is a side-scrolling web experience that translates into Novell’s weird image format:
(The author comes from the scene of Hollywood animation, but here he does it in his own way, in a way that is too stylish and rich – unfortunately, it is not fair.)
Like XKCD, OGLAF is not a novel but a series of half-connected strips by Australian writer/artist Trudy Cooper and co-writer Doug Bayne. As it says in the introduction on the front page, “This cartoon starts with an attempt to create a screenplay. It’s going to be very sexual in a moment… so if you’re a child, please click the button that says you “I’m not.”
In Defense Of Linguistic Luddism
OGLAF usually consists of a single female band, but some characters often occur; It’s based on many of the same abstract D&D fantasy styles as Rat Queens. However, while Rat Queens is just salacious, scatalogical, and suggestive, OGLAF is about 95% 18-certificate filth rating of the best possible category, camping สุดี่ยายรัก.
Is OGLAF available in the form of a book? Filth, filth I say, reminiscent of Phil Foglio (before I discovered that Steampunk is more marketable than SFnal erotica).
And that, I think, is all for now! If I recover from all this typing, this weekend I’ll post some media reviews that deserve your attention, from “The Wicked + The Divine” to “Atomic Robo”. Meanwhile, what
From the hemline index to the vampire/zombie ratio: SF/F by numbers is the first entry on this blog. This is a summary of the firehose of dismay that has been blasting me in the face for the past few weeks. Share and enjoy! And feel free to use the comments thread to discuss what’s next for the UK as the combined vector of Brexit, COVID19, the energy crisis from the Ukraine war, and the worst inflation since 1980 hits us in the face.
Crib Sheet: The Jennifer Morgue
Next month I will attend Chicon 8, the
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